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主な特徴:
NTG5 は、多くが求められる撮影現場での使用に最適な、短く、超軽量なショットガンマイクです。他のショットガンマイクのようなリニアスロットとは異なる円形の音響ポートを備えた革新的な音響設計で、すばらしく透明感のある、より自然でバランスの良いサウンドを実現します。厳密に制御された周波数特性、オフマイクのスムーズな落ち方、非常に低い自己雑音レベル (わずか 10 dBA) を兼ね備えた NTG5 は、ロケーションレコーディングや最高のサウンドを必要とする要求の厳しい映画制作など、さまざまなアプリケーションですばらしいサウンドを実現します。
重量わずか 76 g 、長さ 20 cm 程のNTG5は、ブームオペレーターの疲労を軽減し、条件の厳しい長時間撮影での使用に最適です。また、高湿度や厳しい寒さ、湿気やほこりに対する優れた耐性とRF バイアス回路により、厳しい撮影環境でも信頼性の高いパフォーマンスを保証します。完璧なロケーションレコーディング用マイクです。
Acoustic Principle | RF-bias condenser |
Active Electronics | RF-bias demodulation |
Polar Pattern | Supercardioid shotgun |
Frequency Range | 20 Hz – 20 kHz |
Frequency Response | 80 Hz - 20 kHz ±3 dB |
Output Impedance | 25 Ω |
Signal to noise Ratio | 84 dB |
Equivalent Noise | 10 dB SPL (A-weighted, as per IEC651) |
Input SPL @ 1% THD | 130 dB SPL (1kHz @ 1% THD, 600 Ω load) |
Power Requirements | 2 mA @ 48V phantom power |
Sensitivity | -23.5 dB re. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz) |
Dimensions (L x W x H, mm) | NTG5: 203 x 19 PG2-R:117 x 60 x 240 |
Weight (g) | NTG5: 76g PG2-R: 224g |
Absolutely! The NTG3 is a legendary voiceover mic, which is largely due to the extended low end but also its natural high frequencies. The NTG5 has a flatter low end, but a very similar high frequency response to the NTG3 and will sound fantastic as a voiceover mic.
The active part of the line tube of the NTG5 is the same length as the NTG3, maintaining the directional characteristics of shotgun-style mics.
The NTG5’s conformal coating is a thin layer of protective material that shields the active electronics from any moisture or particles, and the RF-biased circuitry is very resistant to moisture. This makes the NTG5 perfect for use in harsh weather conditions.
The NTG5 builds on the ground-breaking technology of the NTG3 (namely the RF-bias technology, which ensures better immunity to moisture and other environmental factors that can affect performance) with a focus on making it the ideal location recording microphone. First of all, it is much shorter and lighter than the NTG3, which makes it easier to handle on a boom pole. It also features a revolutionary new acoustic design, which delivers a beautifully natural and uncoloured sound; and it has a less pronounced low end response than the NTG3, which is preferable when recording on-location. Lastly, the electronics have been redesigned, resulting in lower self-noise than the NTG3 (10dBA vs 13dBA). They are both great microphones that can be used interchangeably in many scenarios, however, the NTG5 excels as a location recording mic, whereas the NTG3’s pronounced low end is ideal for recording indoors (also great outdoors), and for voiceovers and other applications where rich bottom end is desired.
The NTG5 is incredibly light at just 76 grams, making it a dream for boom operators or filmmakers looking for a compact shotgun that delivers broadcast-grade audio. It has a flatter low end, making it ideal for recording outdoors and on-location. This also effectively provides the preamp with more headroom. Finally, the RF-bias circuitry and conformal coating improve the resilience of all electronic components.
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